The Parting Glass
The Parting Glass
Artist: Teucer Wilson
Title: The Parting Glass
Medium: Laser cut stainless steel
Size: 500mm x 700mm
When I was first approached to submit my ideas for this exhibition, I was excited to think about music and its relationship with lettering. Like music, calligraphy and the art of drawing letterforms is very much about rhythm, flow, composition, light and dark, and counterpoint. The spaces between letters, like the pauses between notes in music, are as important as the letters themselves.
I am a big fan of jazz, blues, world music and folk music. I started to think about the roots of folksong from Afro-American work songs and field hollers, through to blues, jazz and ultimately to rock and roll and modern music. I was drawn to one of my favourite songs The Parting Glass, which I first heard by Robin Williamson, and The Voice Squad (the best version there is). The song is a traditional Scottish ‘broadside’ (no not Adnams!) ballad. It was sung often at the end of a gathering, a parting song. It appears in Irish folk music, and was even recorded by a local lad from Framlingham called Ed Sheeran.
Next, I thought what am I going to design here? What material shall I use? I liked the idea of using something quite modern and ‘cutting edge’ for this as it contrasted with the old ‘folksy-wolksy’ vibe of the song. Using stainless steel brought in the theme of reflection, of seeing ourselves reflected in the piece, contemplating our own relationship with the words.
The design process was perhaps more involved than you may imagine. I have designed several true-type fonts that can be typed out and used in my design work. The first stage was to create a layout that worked, and within the 500 x 700mm format. I wanted the letters to be knitted together to create a sense of rhythm and texture. Next, all the letters were converted into a single vector layer or series of digital paths. These are then tweaked for what seems like an eternity, rounding off junctions and generally trying to make a more abstract design while not completely dis-torting the shapes and rendering it an illegible shambles.